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State of the art
Exploring Roppongi and Tennozu, ii of Tokyo'southward artsiest neighbourhoods
We know information technology's hard to believe, only Roppongi, Tokyo's glitzy underbelly of pricey booze, sleazy clubs and boutique shopping, lives a double life as the metropolis's art hub. The capital's most famous amusement district, once known as 'High Bear upon Town', prides itself on an impressive array of small galleries and big museums – the cultural legacy of gentrification efforts over the last decade.
Further southeast, Tennozu Isle is no stranger to the fine art, or artifice, of transformation from the bottom up either. In fact, the artificial island was literally dredged up from the depths of Tokyo Bay during the 1920s and '30s. Recently, extensive waterfront planning has seen the hitherto repose warehouse district re-emerge equally a exist-muraled town dotted with canalside cafés, high-rise role buildings, hip hotels and art galleries.
Roppongi
This twelvemonth, Roppongi'south art cred was raised to new heights with the opening of the Complex665 building (vi-five-24 Roppongi, Minato-ku), which houses a trifecta of influential galleries: Tomio Koyama, ShugoArts and Taka Ishii. The edifice sits on a residential dorsum street tucked away from the hustle and bustle of Roppongi, but is hard to miss cheers to what appears to be a squiggle painted on its side. This symbol is the logo designed for Complex665 by creative person Yoshihisa Tanaka, who imagined how a 'fictional artist named 665 might sign their ain piece of work'.
A major player in Tokyo'due south contemporary art scene, Tomio Koyama Gallery moved into the second floor of the building from their previous location in Sendagaya, employing young architects Toru Murayama and Ayako Kato to blueprint their new two-room exhibition infinite. They represent an impressive roster of artists in Japan, including wunderkind photographer Ryan McGinley, American postal service-minimalist Richard Tuttle and Yoko Ono.
Also on the second floor is ShugoArts, who have championed the advanced of Japanese art since the mid-'80s. Their gallery was designed by architect Jun Aoki, too responsible for facelifting the façade of the Louis Vuitton building in Ginza. Different their flatmates, ShugoArts keep the shop open on Sundays.
Calling dibs on the top bunk are Taka Ishii Gallery, who stand for heavy-hitters like Elmgreen & Dragset, Nobuyoshi Araki, Daido Moriyama and Thomas Need. Furniture and interior design gurus Broadbean, whose offices occupy the footing floor, were enlisted to design the sleek gallery space on the tertiary floor, which wonderfully feeds off natural light coming in from the found terrace.
If you've enjoyed killing a whole flock of birds with 1 stone, then caput over to the Piramide Building (half dozen-6-9 Roppongi, Minato-ku), which is another great example of the tried-and-tested 'ability in numbers' model of art collectives. Leading galleries Ota Fine Arts and Wako Works of Fine art are among its famous tenants.
Rise above the rest both in height and, arguably, in might, the 238-metre Roppongi Hills Mori Tower is abode to the Mori Art Museum, which holds some of Tokyo'due south well-nigh ambitious and influential exhibitions. A retrospective dedicated to the Indian artist N Southward Harsha volition exist unveiled in February 2017.
The abstraction of fashion (and fragrance) designer Issey Miyake and fellow blueprint greats Taku Satoh and Naoto Fukasawa, 21_21 Blueprint Sight more than than underscores Roppongi's function every bit the focal point of Tokyo'south art scene. The common focus of their always-changing lineup of exhibitions is interdisciplinary blueprint.
The National Art Centre (NACT), designed by Kisho Kurokawa of Nakagin Capsule Tower fame, boasts the largest exhibition space of whatsoever museum in Nippon. Different most of its counterparts, NACT is an 'empty museum', which means it does not have a permanent drove, instead choosing to commission 1-off exhibitions – their Monet show was the second most visited exhibition in the globe in 2007.
Located in Tokyo Midtown and designed by renowned architect Kengo Kuma, the Suntory Museum of Fine art possesses the biggest drove of Japanese craft in the country, comprised of a whopping 3,000-plus objects. Their tea ceremonies, staged on the sixth floor every 2nd Thursday, are a must practice.
And for the 'Peanuts' fans out there, Roppongi has a Snoopy Museum, showcasing Charles Grand Schulz'south original drawings and art for the beloved series. A number of the cartoonist's early works, vintage collectibles and other materials are also on display.
Tennozu Isle
Backed by the Terrada warehouse company, which does far more than only stock Tokyoites' leftover belongings, Tennozu's new Archi-Depot museum displays a whopping 116 architectural models by Japanese starchitects, including works past Kengo Kuma, Shigeru Ban and Riken Yamamoto. While the exhibition warehouse isn't exactly a sight to behold, the architectural models – depicting both real buildings and unrealised projects – gleam like miniature cabinets of curiosities. Later on paying a visit to Archi-Depot, you're sure to walk away with a renewed appreciation for Tokyo'due south beautiful buildings, often disregarded in the relentless hustle and bustle of our dear city.
Simply a stone's throw away from Archi-Depot lies the hit art supplies 'laboratory' Paint, designed past Kuma and inspired by the wait and experience of bamboo. It stocks more than 4,500 colour pigments, 50 kinds of animal glues, and a number of top-quality traditional painting tools including over 200 antiquarian ink sticks. The staff are all well-versed in the intricacies of the products and are happy to testify you how to employ them.
Taking a cue from their comrades over in Roppongi, iv contemporary fine art galleries recently decided to nestle confronting each other on the tertiary floor of the Terrada Fine art Complex. The quartet is comprised of Kodama Gallery, who are getting set up for a solo show by Japanese artist Gaëtan Kubo opening January 14; Urano, representing domestic talents such as Takahiro Iwasaki, who will exist flying the flag for Japan at the 2017 Venice Biennale; Yamamoto Gendai, who count the legendary luminary Richard Serra among their artists; and Yuka Tsuruno Gallery, known for their collaborations with renowned artists Candida Höfer and José Parlá. Lest you lot forget your surrounds, the galleries are located inside a fully operating warehouse and are just attainable by a service elevator.
As the quondam and current residents of neighbourhoods like London'south Shoreditch and New York's Brooklyn volition tell you, gentrification is a double-edged sword that tears through the old to make fashion for the new. Whichever side of the third moving ridge café/local caff divide you're on, the number and density of art galleries is often a good litmus test for how far a neighbourhood has come downwards the line. Less than half an hour apart, Roppongi and Tennozu Isle offer two dissimilar cases to study for those interested in the sociocultural furnishings of Tokyo's urban planning. Or you could just await at the fine art.
Terrada'south main warehouse (2-6-10 Higashi-Shinagawa, Shinagawa-ku) is belongings an exhibition on David Bowie from January eight to April ix – be certain to get your tickets in accelerate.
Find more galleries in Roppongi
Source: https://www.timeout.com/tokyo/art/state-of-the-art